K.G. Follow the Motown playlist. And while the above Aint No Mountain is okay, I think this one is clever and can be listened to much more than just a few times. Richie recorded the song with frequent collaborator James Anthony Carmichael and a variety of session musicians (some of whom had played on Thriller), working up a plush, Caribbean-inspired groove that fits like an impeccably tailored velvet suit. The Temptations may refer to at least two groups 1. You Cant Turn Me Off (In The Middle Of Turning Me On) High Inergy / U.S. R&B**, 12. Pop, 12. Truly Lionel Richie / U.S. Sam Armstrong, One of the greatest duets ever, this Lionel Richie-penned tune topped the Billboard charts for nine weeks. Pop U.S. R&B, 15. The Supremes (1966) This Holland-Dozier-Holland opus is one of Motown's most prolific cover songs: Rockers Vanilla Fudge took it to the Top 10 in (1968), and British pop star Kim Wilde carried it . Ballerina Girl Lionel Richie / U.S. K.H. Girl I Got My Eyes On You Today / U.S. R&B, 17. Living For The City Stevie Wonder / U.S. R&B, 4. Its a perfect marriage of two distinct and talented voices. E.L. Bad Weather is weirdly forgotten these days, but its a glorious taste of early 1970s sad-girl rainy-day funk. Best Motown Love Songs: 20 Essential Songs For Soulmates - uDiscover Music Pop U.S. R&B, 22. Rick James wrote this ballad about a torrid affair with an Ethiopian princess. That keening horn at the start calls you to a 1964 Motown song that is a sure-fire smash hit. Detroit-born 29-year-old Berry Gordy founded Tamla Records with an $800 loan from . Pop, 12. If youre looking for a perfect example of The Motown Sound, youd be hard-pressed to find a better one than 1963s Heatwave. With doo-wop vocals, a hefty backbeat, and plenty of horns, this is the classic sound of the label. J.D. Higher Ground Stevie Wonder / U.S. Never Can Say Goodbye The Jackson 5 / U.S. R&B, 5. He just wants to be high (so high) and free, and really, who could deny such a sweet farewell? Burn bras and carry signs?) The piano is the engine here, pushing everything forward with heavy clumps of notes, while the brass section keeps adding injections of diesel fuel. Adult R&B, Each B-sides of #1 hits, a unique chart accomplishment, #1 cover version by En Vogue (acapella intro to Hold On) / U.S. R&B Dance Club, 3. Diana Ross was on the precipice of solo stardom when she recorded Love Child, which was ostensibly a solo single anyway, since it was one of the first Supremes recordings without any other actual Supremes on it. Drawn from a decades-long catalogue thats a gift that keeps giving and giving, the best Motown songs not only defined their era, they remain timeless examples of classic pop. The classic Motown sound was starting to fully flow by the end of 1963, when Can I Get A Witness was released. Extended versions Motown graham Westbrook 20 videos 1 view Last updated on Oct 16, 2022 Play all Shuffle 1 4:07 The Miracles "Mickey's Monkey" My Extended Version!!! Pop U.S. R&B Canada, 8. On Bended Knee Boyz II Men / U.S. Much like the Mary Jane Girls All Night Long, Dont Look Any Further seems to exist on a rhythmic continuum leading from early funk to hip-hop. Pop U.S. R&B, 20. Let us know in the comments section below. Those pumps gonna strut. My World Is Empty Without You is one of Motowns most obsessive beats Diana Ross gets haunted in her lonely house, staring at her four walls, but the sadness is all in the rhythm. Too Busy Thinking About My Baby Marvin Gaye / U.S. R&B, 3. Back In My Arms Again The Supremes / U.S. Records - decks.de: Vinyl Shop But he returned from a European tour with a hard-driving track influenced by the Rolling Stones for writing partners Sylvia Moy and Henry Crosby to polish off. Down To Love Town The Originals / U.S. Dance/Disco, 6. Heaven Help Us All Stevie Wonder / U.S. R&B**, 21. Not much became of the imprint, which closed up shop by the mid-Seventies. The songs vibe is consciously international, fitting in Caribbean, Spanish, and Swahili phrases. Pop U.S. R&B, 18. For Once In My Life Stevie Wonder / U.S. In 1959, an aspiring songwriter and record producer named Berry Gordy Jr. borrowed $800 to start his own record label in Detroit. Adult Contemporary U.S. Dance/Disco Canada Ireland, 2. Yet the ladies got back to work with new singer Jean Terrell and kept cranking out hits. The only two I can think of are: "Angel Baby" by Darrell Banks, better than Stevie Wonder's, and "California Soul" by Marlena Shaw, better than The Messengers' original. Smokey, as ever, is touching. I Second That Emotion Smokey Robinson & the Miracles / U.S. R&B, 15. Pop U.S. R&B Canada, 11. Please enjoy, I hope you like it. All pf these are Motown gems that went to No. Free shipping for many products! Tryin To Beat The Morning Home T.G. Ross uses a single tempo shift to great, dance-floor-destroying effect in Love Hangover, vaulting from breathy, besotted, slinking funk to darting disco, with cymbals shushing like angry passengers on an Amtrak quiet car. Do I Do Stevie Wonder / U.S. Dance/Disco, 1. Wherever I Lay My Hat (Thats My Home) Marvin Gaye, 1. With its bright melody, inviting title hook, and effervescently insistent beat, the Supremes third Number One hit is a master class in hiding a heartbreaking message in a shiny package; Diana Ross sings about having it so bad for a boy that she leaves her friends behind so she can clear time for him to come back into her life which he obviously isnt going to do. Adult Contemporary, 11. Shes built like a brick shithouse means that shes strong. Like Kool and the Gangs Celebration, the song outhouse references and all has been so culturally ubiquitous for so long, its transcended mere funk to seep into the worlds cross-generational musical DNA. They gained acclaim for helping to change soul in the 70s by adding rock guitar, and did the original version of Twist And Shout (later covered by The Beatles on their debut album, Please Please Me). In The Name Of Love (Extended Stereo Mix) 2-18: Mary Wells - My Guy (Extended Stereo Mix) 2-19: The Temptations - My Girl (Extended Stereo Mix) 2-20: The Miracles - My Girl . The early 1970s were the glory days of blaxploitation flicks and their soundtracks: Shaft had Isaac Hayes, Superfly had Curtis Mayfield, Slaughters Big Rip-Off had James Brown. Cruisin Smokey Robinson / U.S. When it finally saw the light of day, it soared. Shakey Ground The Temptations / U.S. R&B, 14. In 1965, Stevie Wonders voice was changing, chart success was not forthcoming, and you might suspect that the wunderkind was washed up at 15. War Edwin Starr / U.S. With My Guy, she also became Motowns first major star, topping the pop charts while the label was still in its early days. Pop U.S. R&B Canada Norway Switzerland, 3. Your email address will not be published. Gayes early Seventies albums tend to get more attention than his work later in the decade, but 1976s I Want You is wildly ambitious and recklessly groovy, maybe nowhere more than its title song. There have been hundreds of non-Motown remakes of Motown songs. Pop U.S. R&B Canada, 10. Rep Power. Hello Lionel Richie / U.S. Pop U.S. R&B U.S. Pop U.S. R&B U.S. Dance/Disco, 9. In the years leading up to that album, Houston had been struggling to break through on the charts, and this disco take was even originally meant for label darling Diana Ross instead. Pop U.S. The ruler of the tear-soaked adult ballad, Gladys Knight donned her dancing footwear for her debut Motown single, released on its Soul imprint in 1966. 1s, with the Miracles and as a solo artist. Adult Contemporary, 27. Beauty Is Only Skin Deep The Temptations / U.S. R&B. Good investment. Adult Contemporary, 3. End Of The Road spent a quarter of a year at US No.1, and Boyz II Men went on to beat that performance, twice! I Cant Get Next To You The Temptations / U.S. What Does It Take (To Win Your Love) Jr. Walker & The All-Stars / U.S. R&B, 4. The 100 Greatest Motown Songs - Rolling Stone Various Artists - The Motown Box - Amazon.com Music Spartan yet sweet, it hearkened back to the doo-wop era at a time when soul music was just beginning to get lavishly psychedelic, a simple statement of love and determination that got the groups career going after years of waiting in the wings. Pop U.S. R&B U.K. 6. Pop U.S. R&B* U.K. 13. Its since been one of the tracks used in countless TV shows and films to stand in for the 1960s as a decade, ensuring that this Motown song will continue to resonate for generations to come. The Motown Box (2005, Box Set) - Discogs Moy didnt have a Braille version, so she sang the lyrics line by line to Wonder as he recorded the vocal. Pop U.S. R&B*, 24. Love Child Diana Ross & The Supremes / U.S. 441 Tracks 80's (Extended 12 Inch Collection) (FLAC) siii, por que le tenemos esta gran coleccin musical de los aos 80's com mas de 400 track's y en la mejor calidad de sonido como es el (FLAC) versiones exclusivas ,privates , & originales entre otras una gran coleccin que no puede faltar en tu librera de 80's te lo dejo con el listado completo en la . Shoeshine Boy Eddie Kendricks / U.S. R&B, 13. Despite cutting many of his best records during the disco era, Marvin Gaye did not make many actual disco records. Aint Too Proud To Beg The Temptations / U.S. R&B, 2. It was also a goodbye to Paul Willaims: soul times were changing in 1971. Pop, 3. She is reveling in her passion-jaded condition, delivering a trophy-grabbing disco masterpiece, showing the likes of Donna Summer and Gloria Gaynor whos The Boss. A.M. K.H. Apple Inc. They followed it the next year with equally lovely The Bells, another hit co-authored and produced by Gaye. I Want You Back The Jackson 5 / U.S. I kind of got that from my own experiences that was Lionel Richie from Tuskegee, Alabama, where there is no such thing as four-in-the-morning partying. K.G. MOTOWN (extended) - YouTube With Dianas name now in lights, The Supremes set about tackling the problem of delivering soul in a psychedelic year (1967) by making a psychedelic soul record. Create a SoundCloud account Something diffrent for you. (That Playboy knew he was never getting their digits.) Pop*/**. Sam Armstrong. Within a year, Motown had its first million-selling record, with the Miracles Shop Around. By 1969, the label would place dozens of records in the Billboard Top 10 as it reshaped the sound of pop music for a generation, thanks to its somewhat contradictory mix of assembly-line consistency and individual artistic brilliance, integrationist upward mobility and black self-assertion, fierce competition and familial camaraderie. You Beat Me To the Punch Mary Wells / U.S. R&B, 6. R.S. The world-famous Supreme queens 1980 meeting with disco maestros Chic was not without controversy: she remixed the album they created for her. Luckily, Houstons impassioned take was well-received, becoming a disco-club staple and later winning her a Grammy Award. Pop*, 11. Diana doesnt want Alka-Seltzer. #1 cover versions by Paul Young: U.S. Stevie Wonder wrote it for them, going for the Memphis sound of Al Green and Willie Mitchell right down to the sweet-and-sour horns and jazz chords. K.H. Motown stars like Robinson, the Commodores, Diana Ross, and Michael Jackson kept churning out great music through the funk, disco, and easy-listening eras, and hitmakers like Rick James, Lionel Richie, DeBarge, and Boyz II Me kept the label all over the radio in the slick Eighties and into the Nineties. If the fella took no notice, hes got no soul. Superstition Stevie Wonder / U.S. One of my favourite Motown duets ever. When Holland, Dozier, and Holland left Motown for financial reasons, songwriter-producers Barrett Strong and Norman Whitfield stepped into the breach and took the label in a whole new direction. That its songs still sit among the greatest and most soulful ever recorded is testament to the relentless quality of the artists and songwriters Gordy hired. [I] wanted it to be about the musicians who did something for us, he once said. But its a buried treasure that can give any Motown connoisseur the shivers, from the Vandellas superb LP Watchout! E.L. On the tune, one of her first forays into more mature, soul-music territory, she narrates the tale of an illegitimate child, racked with guilt, scorned by her mother (and society), and embarrassed by her own existence.